Pantimenti - BIBLIOGRAPHY

[1] J. Riederer, "Egyptian Blue," in Artist's Pigments Vol. 3, E. W. Fitzhugh, Ed. Oxford, UK: Oxford Univ. Press, 1997, pp. 23–45.

[2] A. Doménech-Carbó, "Tracing the distribution of late Egyptian blue in ancient Mediterranean wall paintings by chemometric techniques," Dyes and Pigments, vol. 132, pp. 6–16, Sep. 2016, doi: 10.1016/j.dyepig.2016.04.032.

[3] Natural Pigments, "Egyptian Blue Pigment," 2023. [Online]. Available: https://www.naturalpigments.com/egyptian-blue-pigment.html

[4] Royal Society of Chemistry, "Egyptian Blue," 2023. [Online]. Available: https://edu.rsc.org/resources/egyptian-blue/1625.article

[5] G. P. Souza et al., "Egyptian blue revisited: A new look at ancient pigment through modern analytical lenses," Sci. Rep., vol. 11, no. 1, pp. 1–12, May 2021, doi: 10.1038/s41598-021-90759-6.

[6] Natural Pigments, "Maya Blue Pigment," 2023. [Online]. Available: https://www.naturalpigments.com/maya-blue-pigment.html

[7] D. E. Arnold, Maya Blue: Unlocking the Mysteries of an Ancient Pigment. Boulder, CO, USA: Univ. Press of Colorado, 2023. [Online]. Available: https://www.jstor.org/stable/jj.17681824

[8] H. Berke, "Composition and properties of Maya blue," Science, vol. 273, no. 5272, pp. 223–226, Jul. 1996, doi: 10.1126/science.273.5272.223.

[9] M. Sánchez del Río, "Maya Blue Pigment," in Handbook of Vibrational Spectroscopy, vol. 18, J. M. Chalmers and P. R. Griffiths, Eds. Amsterdam, The Netherlands: Elsevier, 2010, pp. 1–12, doi: 10.1016/B978-0-444-53607-5.00018-9.

[10] E. Davies, "The rare blue the Mayans invented," BBC Culture, Aug. 2018. [Online]. Available: https://www.bbc.com/culture/article/20180816-the-rare-blue-the-mayans-invented

[11] R. J. Gettens and E. W. Fitzhugh, "Azurite and blue verditer," in Studies in Conservation, vol. 46, no. sup1, pp. 54–61, 2001, doi: 10.1016/S0584-8547(01)00228-2.

[12] Natural Pigments, "Most Important Blue Pigment in European Painting: Azurite," 2023. [Online]. Available: https://www.naturalpigments.com/artist-materials/most-important-blue-pigment-european-painting-azurite

[13] Kremer Pigments, "Azurite Natural Fine," 2023. [Online]. Available: https://shop.kremerpigments.com/us/shop/pigments/10210-azurite-natural-fine.html

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[16] Natural Pigments, "Indigo Pigment," 2023. [Online]. Available: https://www.naturalpigments.com/indigo-pigment.html

[17] J. L. Marshall, "The absorption spectrum of indigo," Proc. Roy. Soc. A, vol. 159, no. 896, pp. 123–139, Mar. 1937, doi: 10.1098/rspa.1937.0060.

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[19] J. Mallégol et al., "Roles of peroxides and unsaturation in spontaneous heating of linseed oil," Fire Saf. J., vol. 58, pp. 66–74, May 2013, doi: 10.1016/j.firesaf.2013.01.021.

[20] P. D. St Hilaire, "Oxidation reactions and spontaneous ignition of linseed oil," Proc. Combust. Inst., vol. 33, no. 2, pp. 2527–2533, 2011, doi: 10.1016/j.proci.2010.06.104.

[21] Natural Pigments, "Transparent and Opaque Paints," 2023. [Online]. Available: https://www.naturalpigments.com/artist-materials/transparent-opaque-paints

[22] Jackson’s Art Supplies, "Oil Paint Guide," Jun. 2017. [Online]. Available: https://www.jacksonsart.com/blog/2017/06/06/oil-paint-guide/

[23] CAMEO, "Linseed Oil," 2022. [Online]. Available: https://cameo.mfa.org/wiki/Linseed_oil

[24] K. J. van den Berg et al., "On the chemistry of drying oils," J. Mater. Sci., vol. 22, no. 6, pp. 2135–2142, Jun. 1987, doi: 10.1007/BF02543216.

[25] C. D. Stavroudis, "The history of egg tempera in Italian painting," in Proc. Int. Conf. Conserv. Restoration Art, Florence, Italy, 2016, pp. 45–56. [Online]. Available: https://www.urbis-libnet.org/vufind/Record/ICCROM.ICCROM36166/Description

[26] Smithsonian Magazine, "Egg yolks gave tempera paint its enhanced coverage and spreadable properties," Jan. 2022. [Online]. Available: https://www.smithsonianmag.com/smart-news/egg-yolks-gave-tempera-paint-its-enhanced-coverage-and-spreadable-properties-180979192/

[27] Encyclopædia Britannica, "Tempera painting," 2023. [Online]. Available: https://www.britannica.com/art/tempera-painting

[28] Ars Technica, "Recreating 15th-century tempera recipes tells us more about their molecular chemistry," Dec. 2021. [Online]. Available: https://arstechnica.com/science/2021/12/recreating-15th-century-tempera-recipes-tells-us-more-about-their-molecular-chemistry/

[29] CAMEO, "Egg Tempera," 2022. [Online]. Available: https://cameo.mfa.org/wiki/Egg_tempera

[30] Fitzwilliam Museum, "Painting Techniques: Egg Tempera," 2023. [Online]. Available: https://www.hki.fitzmuseum.cam.ac.uk/projects/paintingtechniques/eggtempera

[31] CAMEO, "Animal Glue Chemical Composition and Uses," 2022. [Online]. Available: https://cameo.mfa.org/wiki/Animal_glue

[32] M. Doerner, The Materials of the Artist and Their Use in Painting. New York, NY, USA: Harcourt, Brace & Co., 1934.

[33] R. J. Gettens and G. L. Stout, Painting Materials: A Short Encyclopaedia. New York, NY, USA: Dover Publications, 1966.

[34] R. Mayer, The Artist’s Handbook of Materials and Techniques. New York, NY, USA: Viking Press, 1991.

[35] National Gallery, "Technical Bulletin: Uccello’s Battle of San Romano," 1985. [Online]. Available: https://www.nationalgallery.org.uk/research/research-resources/technical-bulletin/uccello-s-battle-of-san-romano

[36] National Gallery, "Technical Bulletin: Venetian Painting Techniques," 1996. [Online]. Available: https://www.nationalgallery.org.uk/research/technical-bulletin 

[37] National Gallery, "Technical Bulletin: Early Italian Painting," 1991. [Online]. Available: https://www.nationalgallery.org.uk/research/technical-bulletin 

[38] D. Stulik et al., Proteinaceous Binders in Art. Los Angeles, CA, USA: Getty Conservation Institute, 2000.

[39] K. Wehlte, The Materials and Techniques of Painting. New York, NY, USA: Van Nostrand Reinhold, 1975.

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[41] G. Vasari, On Technique, Trans. 1907. New York, NY, USA: Dover Publications, 1550.

[42] CAMEO, "Bologna Chalk Description and Uses," 2022. [Online]. Available: https://cameo.mfa.org/wiki/Bologna_chalk 

[43] Natural Pigments, "Bologna Chalk Specifications," 2023. [Online]. Available: https://www.naturalpigments.com/bologna-chalk.html 

[44] Kremer Pigments, "Chalk from Bologna, Light," 2023. [Online]. Available: https://shop.kremerpigments.com/us/shop/fillers-building-materials/58100-chalk-from-bologna.html

[45] CAMEO, "Bole Description and Uses," 2022. [Online]. Available: https://cameo.mfa.org/wiki/Bole 

[48] CAMEO, "Gold Leaf Description and Uses," 2022. [Online]. Available: https://cameo.mfa.org/wiki/Gold_leaf 

[49] D. V. Thompson, The Practice of Tempera Painting. New Haven, CT, USA: Yale Univ. Press, 1936.

[50] D. V. Thompson, The Materials and Techniques of Medieval Painting. New York, NY, USA: Dover Publications, 1956.

[52] P. B. Johnson and R. W. Christy, "Optical constants of the noble metals," Phys. Rev. B, vol. 6, no. 12, pp. 4370–4379, Dec. 1972, doi: 10.1103/PhysRevB.6.4370.